Skanda Movie Review : Ram collaborated on the Skandh film with renowned filmmaker Boyapati Srinu. Ram’s furious action sequences are displayed on a huge scale in the Skandh trailer, and the newest sensation, Shri Leela, adds glitz to it. Skandh appears to have been produced in the distinctive manner of Boyapati Srinu, who is noted for his ensemble casts in his films. Today saw the film Skandh’s theatrical debut. Here is a Skandh review from the US premiere.
What’s the matter of film Skanda?
The two chief ministers of competing states plot against one another before a man (Ram) kidnaps both of their daughters. Skandh’s story is around the reason for his kidnapping and how it relates to Rudraganti Ramakrishnam Raju (Shrikant), who is in jail awaiting execution.
Performance of film Skanda
Ram Pothineni looks good in his new, more rough appearance. Ram has a remarkable performance in Skandh, proving his acting talent and justifying his part. He appears at ease during action scenes. Ram has accomplished admirably in both areas, although Skandh has more fights than drama.
Shri Leela is mostly present for the music, and she dances brilliantly in songs like “Chuttu Chuttu” and “Gandarabai.” The significance of Sai Manjrekar’s appearance is greater. Raja Daggubati plays a crucial part. Shrikant is sufficient. Prins, Prithvi, Kiliki Prabhakar, Sharath Lohitashwa, and Ajay Purkar are examples of supporting performers who give their roles justice. Skandh follows the trend of Boyapati movies with a star-studded ensemble. With little dialogues, several players, including Indraja and Gautami, can go unnoticed.
For More: News
Dialogues of film Skanda
The first thing that comes to mind for someone is the pairing of Boyapati and Thaman. The background music for Skandh is frantic and might be better. “Ne Chuttu” has a nice-looking melody. The majority of the dialogues lack any real punch and are comparable to obstacles like “gate” and “toll gate.” The dialogue and script both needed improvement. Excellent cinematography is used. Editing may have been improved, especially during the second half’s slow-moving second half.
Release Date: 2023-09-28
123telugu.com Rating: 3.0
Ram Pothineni, Shrileela, Sai Manjrekar, Prince Cecil, Gautami, Indraja, Raja, Shrikant, Sharath Lohitashwa, Prithviraj, and others are among the cast members.
Boyapati Srinu, director
Srinivas Chitturi, producer
Thaman is the composer
Santosh Thundiyil is the filmmaker.
The author is Bikina Thammiraju.
Analysis
More slaughter, less reason, flying thugs, strange weaponry, and dire warnings, all in the name of one family and one savior. The majority of Boyapati’s movies feature all of these elements, and “Skanda” is no exception. Once again, the director delivers an eagerly anticipated plot that features goodness triumphing over evil in a well-known narrative.
“Skanda” is a classic mass entertainment piece in which the hero will do anything to protect a family that is dear to him. The narrative and the plot are millennia old. By nature, Boyapati’s movies occasionally have intense action sequences that draw viewers and his supporters in.
The first act of “Skanda,” which has a conventional premise with the hero seeking to win over a CM’s daughter as two state’s chief ministers are preparing to shoot each other for various reasons, isn’t very interesting. The romance angle falls flat, and the action doesn’t really pick up until the intermission.
With the reveal of the true plan, the second half becomes even more dramatic and violent, and Ram’s character pursues a relentless road of vengeance through his killings. The director keeps to his tried-and-true plot device of an upright businessman being falsely accused of engaging in unlawful financial activity and generating problems for his family despite his blatant denial. Boyapati doesn’t stop there; he further complicates the story by including features like drug use and sexual assault accusations, all the while attempting to imprison an upright man.
While the action scenes delight the audience, they occasionally go beyond the pale, as when Ram defeats dozens of armed men by himself in his town using only one or two weapons. The more illogical Boyapati’s movies are, the better. It has a family drama, and some of the language is excellent.
Boyapati’s trademark setting is a lengthy action scene situated in a temple with the deity of the temple and lethal weaponry as the background. A predictable climax links the previously hinted-at points.
Overall, “Skanda” is a regular monthly action movie that follows the Boyapati model and may amuse both action fans and Ram’s devotees.